STORY OF GUITAR

In the 20th century, only the automobile rivaled the guitar as an American icon of personal freedom, expression, and rebellion. The explosion is more owed to the electric models, though acoustic guitars traveled the pre-war countryside and established blues and country music traditions.

MUSIK..........

Ya kurang lebih begitulah dimana musik kadang bikin kita terbuai, bahkan ikut larut dalam mendendangkannya, saya sendiri terkadang tanpa sadar ikut menyanyi walau sedang jaga warnet, gak peduli da user, yang penting asyik. Apalagi kalo gak da boz wah puter Mp3 kenceng2, saya paling demen denger musik yg sekelas Nirvana, Mr. Big sampe Santana juga Metallica tapi muternya kalo siang aja, kalo malem ganti aliran kaya' Scorpion, ya yg agak slow2 gitu.

Meski saya sendiri gak ngerti bahasanya, tapi kayaknya asyik aja dengernya terkadang juga puter instrumen, kelasnya Joe Satriani, Kitaro, ato violinnya Vanessa Mae. Dibanding dengerin musik negara sendiri kayaknya gimana ya?, enggak tahu kenapa saya kurang minat terhadap karya anak bangsa padahal bagus2, tapi kalo soal permainan gitarnya, nah disini letak yang saya kurang minati, namun ada beberapa grup band Indonesia yang bikin saya ketagihan dengernya, seperti Slank, Padi, So7, Gigi, dan Dewa.

Ada beberapa lagu yang bisa anda download dari saya, juga saya sediakan video lucu koleksi saya berikut ini saya lampirkan silahkan di ambil gratis kok hehehehehehe.........

http://www.ziddu.com/download/3468354/18.RollingStones-PaintItBlack.mp3.html 

http://www.ziddu.com/download/3481002/Chop_Suey_-_System_of_a_Down.mp3.html

http://www.ziddu.com/download/3503995/Ngasihgakrela.wmv.html

http://www.ziddu.com/download/3504357/siikin_o.avi.html

BIOGHRAPY AVENGED SEVENFOLD

It’s not always recognized in today’s “I want it all now” world, but patience is a virtue. And Huntington Beach, California rockers Avenged Sevenfold are being rewarded for remembering that golden rule. After releasing two highly successful albums on an indie label (Sounding The Seventh Trumpet and Waking The Fallen), the quintet is set to unleash its major label debut, City Of Evil, on Warner Bros. Records. City Of Evil, co-produced by Avenged Sevenfold, reunites the group with producer Mudrock (Waking The Fall). 

“We’re at the point now where we’ve come into our own,” vocalist M. Shadows says of the ambitious City Of Evil, an 11-song collection that gives a middle finger to the idea of categorization, bridging the sonic guitar assault of Iron Maiden with the frenetic pace of Bad Religion and the musicianship of Dream Theater. “In Southern California you’re really brought up in the whole punk world. At the same time, we were growing up listening to Pantera, Megadeath, Metallica and Slayer records,” Shadows recalls. “So then you think, ‘I want to play in that kind of band, but I want to play in this kind of band.’ Then you pass that point and all of a sudden you’re just writing music and it comes out naturally. But that’s what happens cause of all the different influences we have. And we’re definitely not afraid to put anything in our songs if we think it calls for it.” 

Yes, Avenged Sevenfold can rock, as the band recently did at a sold-out show at Hollywood’s Music Box Theater, where they turned the intensity of the new tunes up from 11 to about a 20, but these are musicians as well. However, as the group evidenced during the orchestral interlude in “The Wicked End,” a perfect metal moment live complemented by a boys choir and 14-piece string section, Avenged Sevenfold, in the tradition of Zeppelin, Queen, and Guns ‘N’ Roses’ “November Rain,” meld their intensity with a musical daring their hard rock forefathers would be proud of. 

Those looking primarily for a cathartic release live, as so many of the kids moshing their brains out at the Music Box were, need only turn to the ferocious energy of “Bat Country,” a song written for Hunter S. Thompson about the band’s own adventures in Vegas, and the Maiden-esque guitar and Shadows’ perfect caterwaul of the line “city of evil” (where the album’s title stems from) in the opening “Beast & The Harlot.”

Mr. BIG BIOGHRAPY

"Mr.Big got their start when William Roland Sheean (Billy) stepped away from David Lee Roth's first post-Van Halen band, after contributing to two albums and numerous major tours. The Buffalo, New York-born bassist had already honed his considerable skills during a decade spent touring with his band, Talas, but with the recruitment of Martin (Eric) in 1988, he knew the foundation for this ultimate musical venture was well in place. Martin (who was born in Long Island, New York, but grew up all over the world as an Army brat) had already ventured into the light, both with melodic rock-oriented Eric Martin Band, and as a more soul-leaning solo artist. 

Growing up on U.S. military bases across Europe, the young Martin was introduced to the sounds of Otis Redding and Wilson Pickett. Such influences never ceased to define and motivate his musical pursuits - in his three previous albums, and shaping the character of Mr.Big. The group was made complete with talents of guitarist Gilbert and drummer Torpey. Hailing from Pittsburgh, Gilbert was already a well-respected guitarist who had released four highly-touted albums with his Los Angeles-based band, Racer X. Torpey came to California after playing his dues behind the kit in the Arizona rock community. He soon became a much sought-after road horse, touring with a number of high-profile artists, most notably Robert Plant. 

Mr Big first broke ground in 1989 with their self-titled Atlantic Records debut, which received extensive radio play with the "Big Love" and "Addicted To That Rush" singles - the latter of which may have prompted labelmates Rush to invite the band on tour. The band returned in 1991 with "LEAN INTO IT", an album that further strengthened their reputation, and, in the process, went RIAA platinum.

NIRVANA BIOGRAPHY

Kurt Cobain Biography 
Kurt Donald Cobain was the leader of Nirvana, the multi-platinum grunge band that redefined the sound of the nineties. 

Cobain was born on the 20th of February 1967 in Hoquaim, a small town 140 kilometres south-west of Seattle. His mother was a cocktail waitress and his father was an auto mechanic. Cobain soon moved to nearby Aberdeen, a depressed and dying logging town. 

Cobain was for most his childhood a sickly bronchitic child. Matters were made worse when Cobain's parent's divorced when he was seven and by his own account Cobain said he never felt loved or secure again. He became increasingly difficult, anti-social and withdrawn after his parent's divorce. Cobain also said that his parent's traumatic split fueled a lot of the anguish in Nirvana's music.

After his parent's divorce Cobain found himself shuttled back and forth between various relatives and at one stage homeless living under a bridge. 

When Cobain was eleven he heard and was captivated by the Britain's Sex Pistols and after their self-destruction Cobain and friend Krist Novoselic continued to listen to the wave of British bands including Joy Division the nihilistic post-punk band that some say Nirvana are directly descended from in form of mood, melody and lyrical quality.

SLURPZ: Tabletkiosk eo UMPC Now Available

SLURPZ: Tabletkiosk eo UMPC Now Available

DISTURBED BIOGRAPHY

David Draiman: Vocals
Dan Donegan: Guitar
Fuzz: Bass
Mike Wengren: Drums 

"What I'm trying to do from a lyrical perspective is bring back the majesty of metal," says David Draiman, defining Believe, the follow-up to Disturbed's multi-platinum debut, The Sickness. "With this album I wanted to speak about important things in a grand way, and even touch on things that may not seem so important, but come at them from a perspective that makes them inviting, delicious--even foreboding in a way."
Among his many distinguishing characteristics, Draiman has superb enunciation. As a singer, it provides his voice with scalpel-like precision that razors through the great articulated noise his bandmates generate. Combined with leather-lunged projection, his voice can both bludgeon and slash at a level that transcends his lyrics' literal meaning.

Things get really nasty, though, when his voice joins his bandmates' dexterous rhythmic assault in what Draiman describes as "a constant blend of all the elements." The resulting attack during songs such as "Prayer" and "Liberate" telegraphs contusions along a listener's brainpan. 
There's a reason Draiman, guitarist Dan Donegan, bassist Fuzz and drummer Mike Wengren named 2001's victory lap around the U.S. the "Music As A Weapon" tour. Sharp enunciation and road-honed chops are merely part of the arsenal.